Dance Performance by Mzamo Nondlwana. Role: Visual Artist. Contribution: Collaboration on a solo piece imagining alternative futures rooted in radical queer-feminist movements.
CPA 2023, TQW Vienna (AT). (Oct 19)
Mzamo Nondlwana dances toward the future. This solo performance, created in collaboration with sound artist Lens Kühleitner and visual artist Maanila de Moraes, drafts an alternative vision of what is to come. Rooted in radical queer and feminist movements, the work denounces the values of White Supremacy and their foundations in domination and destruction.
Dance for the Future taps into the collective consciousness, sharing pandemic experiences while emphasizing the power of community as a form of healing. The performance explores the "dance of the future" as "a space where the supernatural, the fantastic, the historical, and the futuristic merge" (Mark Dery, US author, lecturer, and cultural critic).
Black, queer-feminist, and migrant communities, alongside the Global South and alternative movements, have a long history of exposing and dismantling heteronormative structures. Dance for the Future draws its inspiration directly from these marginalized spaces. Themes of collectivity, grief, and transformation give the work its shape, finding expression through sound, video, and Mzamo Nondlwana’s physical performance. This dance is a dedication to a better future.
Presented within the framework of Choreographic Platform Austria.
Concept & Choreography
Mzamo Nondlwana
Dramaturgy
Sunanda Mesquita
Sound Artist
Lens Kühleitner
Set Design
Guilherme Maggessi
Production & Management
Marissa Lobo
Video & Mapping
Maanila de Moraes
Costumes
Isabelle Edi
Artistic Input
İklim Doğan & Bassano Bonelli
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Production Credits
A co-production by Mzamo Nondlwana and imagetanz / brut Wien.
Supported by the City of Vienna’s Cultural Department (MA 7), the Federal Ministry for Arts, Culture, the Civil Service and Sport (BMKÖS), the Working Grant of the City of Vienna’s Cultural Department, Raw Matters Summer Residency, and Bears in the Park.
Special thanks to nadalokal Reclaim Festival for the publication.
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